Included below is part of the Hostis Journal presentation that we gave at the Seattle Anarchist Bookfair last weekend. Expect audio of that talk to made available soon.
“The Night of the Hunter” (1955) fits the bloody mold of a southern gothic family drama in which an eccentric cheat exploits a small West Virginia community stricken by the Great Depression. Self-anointed Reverend Harry Powell is a serial killer that goes town-to-town ‘doing God’s work.’ The film tells the story of Powell’s ill-fated attempt to insinuate himself into the family of an ex-cellmate to find the hidden loot from a bank robbery. On the one hand, Powell’s fiery public sermons win him the respect of the townsfolk, who are eager to be assured that they are on the righteous path. While on the other, young, fatherless John is an unrelenting critic of authority.
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Posted in Uncategorized, tagged anarchism, carmichael, cfp, communism, communization, empire, experimental, hostis, journal, liberalism, literature, philosophy, political theory, queer, recognition, violence on May 2, 2015 |
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Seeking recognition is always servile. We have little interest in visibility, consciousness raising, or populist pandering. Recognition always treats power as a give-and-take. On the one hand, the dispossessed use recognition as respite from exploitation; while on the other, the State expects its authority to be recognized as the first and final say. According to this logic: for the dispossessed to even get a step up, they must first acknowledge a higher power than themselves.
The particulars of our own time are even more obscene. Following the spread of economic rationality on a global scale, it is clear that the flow of forces has reversed. The State pornographically exposes its long-protected interior for others to abuse while lasciviously grooming what is beyond its regular reach. Recognition chastely reassures the State of its powers. All the while, the most banal State functions are farmed out to the highest bidder. So when their parking ticket is authored by a private corporation, those who seek recognition fall back on the State dictum that nothing good comes from the outside. (more…)
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Our journal ‘Hostis’ is now available via Little Black Cart. Thanks to our publisher Ardent Press. The first 100 copies of this journal have been printed with sandpaper covers (they couldn’t do more because it was chewing up the equipment).
Hostis is a negation. It emerges devoid of ethics, lacking any sense of democracy, and without a care for pre-figuring anything. Fed up with the search for a social solution to the present crisis, it aspires to be attacked wildly and painted as utterly black without a single virtue.
In thought, Hostis is the construction of incommensurability that figures politics in formal asymmetry to the powers that be.
In action, Hostis is an exercise in partisanship – speaking in a tongue made only for those that it wants to listen. This partisanship is neither the work of fascists, who look for fights to give their limp lives temporary jolts of excitement, nor martyrs, who take hopeless stands to live the righteousness of loss. Hostis is the struggle to be dangerous in a time when antagonism is dissipated.
This is all because Hostis is the enemy.
Table of contents
1 A Short Introduction to the Politics of Cruelty
33 Nice Shit for Everybody, Global Shade
37 An Enduring Passion for Criminality, Tom Nomad and Gallus Stanig Mag
57 ¿Ulrike?, Daniel Gutiérrez
67 There Is a Third Thing taken from O Globo translated by Pepe Rojo
73 Interlude III, Cassandra Troyan
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Posted in Uncategorized, tagged anarchism, anarchy, books, capitalism, communication, communism, deleuze, escape, feminism, gender, hostis, media, politics, publishing, The Metropolis on December 26, 2014 |
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Sorry for not using this venue lately for my ongoing research. Will probably return to using it in the new year. For now, here is completed, ongoing, and future work. (Also, most of my free time has been soaked up by the search for a permanent job.)
1) Hostis: A Journal of Incivility. Printing has already started. Expect copies to be available within a couple weeks via our distributor.
2) Escape. Book proposal nearly finished. Solicit publishers within next three months. Manuscript for submission: 67,500 words.
3) Dark Deleuze. In preparation. Final manuscript to be 15,000-25,000 words.
1) Chicago, “Feminist Mappings of the City,” November 2014, (passed).
2) Vancouver, “Militancy, Antagonism, and Power: Rethinking Intellectual Labor, Relocating the University,” January 2015.
3) Walla Walla, “Direct Action Training,” February 2015.
4) Spokane, “‘Money is Just Paper but it Affects People Like Poetry’: Capitalism and Public Address,” February 2015
5) Pittsburgh, “Weather Station,” April 2015.
6) Riverside, “#GHE20G0TH1K: Afropessimism as Aesthetic Blackness,” June 2015.
Upcoming Article Topics:
1) Feminism and the Metropolis
2) Wages for Housework, Wages for Facebook: Antagonism at the Point of Circulation
3) The State, Concept not Object: Abstraction, Cinema, Empire
4) (In preparation) Insinuation as Communication
5) (In preparation) Irregular Media: Digital Resistance after Guerrilla Warfare
6) (In preparation) What Does Capitalism Sound Like?
Ongoing Research Areas:
1) The Non-Representational Turn: Anti-connectionism, Insufficiency, Opacity
2) The Inhumanities: Anonymity, Code, Subjectivity
3) Negative Feminism: Gender, Hatred, and Pop Culture
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Posted in public scholarship, tagged action, anarchism, anti-colonial, art, artaud, autonomism, call for submission, code, coldness, communism, cruel ontology, cruelty, deleuze, derives, detournement, enemy, fanon, games, hostis, illustration, journal, maps, marxism, operaismo, pain, partisanship, people of color, philosophy, photo-essays, pleasure, poetry, politics, radical politics, situationism, theatre of cruelty, violence, women of color on December 17, 2013 |
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Hostis: A Journal of Incivility
Call for Submissions
Issue 1: Political Cruelty
Few emotions burn like cruelty. Those motivated by cruelty are neither fair nor impartial. Their actions speak with an intensity that does not desire permission, let alone seek it. While social anarchism sings lullabies of altruism, there are those who play with the hot flames of cruelty. We are drawn to the strength of Franz Fanon’s wretched of the earth, who find their voice only through the force of their actions, the sting of women of color’s feminist rage, which establishes its own economy of violence for those who do not have others committing violence on their behalf, the spirit of Italy’s lapsed movement of autonomy, which fueled radicals who carved out spaces of freedom by going on the attack (“Il Diritto all’Odio” – The Right to Hatred), the assaults of Antonin Artaud’s dizzying “Theatre of Cruelty,” which defames the false virtues of audience through closeness with the underlying physicality of thought, and the necessity of Gilles Deleuze’s ontological cruelty, which returns difference through the pain of change that breaks through the backdrop of indifference.
We are looking for submissions that defend cruelty. In addition to scholarly essays, we are looking for any original work suited to the printed page: directions to dérivés or other lived projects, maps, printed code, how-to instructions, photo-essays, détournements, experimental writing, directions to word-games, illustrations, or mixed-media art. To remain consistent with the journal’s point of view, we seek material whose tone is abrasive, mood is cataclysmic, style is gritty, and voice is impersonal.
Submissions will be selected by an editorial collective. Contributors should expect to receive critical feedback in the first stage of review requesting revisions to improve their submission and make it consistent with the other contributions selected for inclusion. While we are not soliciting proposals, we are happy to comment on possible submissions before official review.
We will begin reviewing submissions on February 28th, 2014. Send your submissions to email@example.com as MS Word, rtf, pdf, jpg, or png files. Include a title, author name, content, and any formatting requests. Expect to complete requested revisions during March-April.
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