Our journal ‘Hostis’ is now available via Little Black Cart. Thanks to our publisher Ardent Press. The first 100 copies of this journal have been printed with sandpaper covers (they couldn’t do more because it was chewing up the equipment).
Hostis is a negation. It emerges devoid of ethics, lacking any sense of democracy, and without a care for pre-figuring anything. Fed up with the search for a social solution to the present crisis, it aspires to be attacked wildly and painted as utterly black without a single virtue.
In thought, Hostis is the construction of incommensurability that figures politics in formal asymmetry to the powers that be.
In action, Hostis is an exercise in partisanship – speaking in a tongue made only for those that it wants to listen. This partisanship is neither the work of fascists, who look for fights to give their limp lives temporary jolts of excitement, nor martyrs, who take hopeless stands to live the righteousness of loss. Hostis is the struggle to be dangerous in a time when antagonism is dissipated.
This is all because Hostis is the enemy.
Table of contents
1 A Short Introduction to the Politics of Cruelty
33 Nice Shit for Everybody, Global Shade
37 An Enduring Passion for Criminality, Tom Nomad and Gallus Stanig Mag
57 ¿Ulrike?, Daniel Gutiérrez
67 There Is a Third Thing taken from O Globo translated by Pepe Rojo
73 Interlude III, Cassandra Troyan
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Posted in Uncategorized, tagged anarchism, anarchy, books, capitalism, communication, communism, deleuze, escape, feminism, gender, hostis, media, politics, publishing, The Metropolis on December 26, 2014 |
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Sorry for not using this venue lately for my ongoing research. Will probably return to using it in the new year. For now, here is completed, ongoing, and future work. (Also, most of my free time has been soaked up by the search for a permanent job.)
1) Hostis: A Journal of Incivility. Printing has already started. Expect copies to be available within a couple weeks via our distributor.
2) Escape. Book proposal nearly finished. Solicit publishers within next three months. Manuscript for submission: 67,500 words.
3) Dark Deleuze. In preparation. Final manuscript to be 15,000-25,000 words.
1) Chicago, “Feminist Mappings of the City,” November 2014, (passed).
2) Vancouver, “Militancy, Antagonism, and Power: Rethinking Intellectual Labor, Relocating the University,” January 2015.
3) Walla Walla, “Direct Action Training,” February 2015.
4) Spokane, “‘Money is Just Paper but it Affects People Like Poetry': Capitalism and Public Address,” February 2015
5) Pittsburgh, “Weather Station,” April 2015.
6) Riverside, “#GHE20G0TH1K: Afropessimism as Aesthetic Blackness,” June 2015.
Upcoming Article Topics:
1) Feminism and the Metropolis
2) Wages for Housework, Wages for Facebook: Antagonism at the Point of Circulation
3) The State, Concept not Object: Abstraction, Cinema, Empire
4) (In preparation) Insinuation as Communication
5) (In preparation) Irregular Media: Digital Resistance after Guerrilla Warfare
6) (In preparation) What Does Capitalism Sound Like?
Ongoing Research Areas:
1) The Non-Representational Turn: Anti-connectionism, Insufficiency, Opacity
2) The Inhumanities: Anonymity, Code, Subjectivity
3) Negative Feminism: Gender, Hatred, and Pop Culture
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Posted in public scholarship, tagged action, anarchism, anti-colonial, art, artaud, autonomism, call for submission, code, coldness, communism, cruel ontology, cruelty, deleuze, derives, detournement, enemy, fanon, games, hostis, illustration, journal, maps, marxism, operaismo, pain, partisanship, people of color, philosophy, photo-essays, pleasure, poetry, politics, radical politics, situationism, theatre of cruelty, violence, women of color on December 17, 2013 |
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Feel free to share widely.
Hostis: A Journal of Incivility
Call for Submissions
Issue 1: Political Cruelty
Few emotions burn like cruelty. Those motivated by cruelty are neither fair nor impartial. Their actions speak with an intensity that does not desire permission, let alone seek it. While social anarchism sings lullabies of altruism, there are those who play with the hot flames of cruelty. We are drawn to the strength of Franz Fanon’s wretched of the earth, who find their voice only through the force of their actions, the sting of women of color’s feminist rage, which establishes its own economy of violence for those who do not have others committing violence on their behalf, the spirit of Italy’s lapsed movement of autonomy, which fueled radicals who carved out spaces of freedom by going on the attack (“Il Diritto all’Odio” – The Right to Hatred), the assaults of Antonin Artaud’s dizzying “Theatre of Cruelty,” which defames the false virtues of audience through closeness with the underlying physicality of thought, and the necessity of Gilles Deleuze’s ontological cruelty, which returns difference through the pain of change that breaks through the backdrop of indifference.
We are looking for submissions that defend cruelty. In addition to scholarly essays, we are looking for any original work suited to the printed page: directions to dérivés or other lived projects, maps, printed code, how-to instructions, photo-essays, détournements, experimental writing, directions to word-games, illustrations, or mixed-media art. To remain consistent with the journal’s point of view, we seek material whose tone is abrasive, mood is cataclysmic, style is gritty, and voice is impersonal.
Submissions will be selected by an editorial collective. Contributors should expect to receive critical feedback in the first stage of review requesting revisions to improve their submission and make it consistent with the other contributions selected for inclusion. While we are not soliciting proposals, we are happy to comment on possible submissions before official review.
We will begin reviewing submissions on February 28th, 2014. Send your submissions to firstname.lastname@example.org as MS Word, rtf, pdf, jpg, or png files. Include a title, author name, content, and any formatting requests. Expect to complete requested revisions during March-April.
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Posted in papers, tagged anarchism, anarchist, feminism, george w bush, iraq war, marxism, marxist, politics of identification, power, protest, psychoanalysis, queer, queer theory, state violence, subjection, the state on November 15, 2013 |
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In “Dispute or Disrupt? Desire and Violence in Protests Against the Iraq War,” xxx suggests ‘queering’ direct action in order to overcome the limits of rhetorical politics. xxx shows how the Bush Administration’s justifications for the Iraq War were incoherent discourses that drew rhetorical opposition into a politics of identification that made them easy to dismiss. An alternative, xxx claims, are “bodies that mutter” – subjects of desire whose bodily force continues where discourses fail, which he locates in the Code Pink disruption of John McCain’s speech at 2008 Republican National Convention, AIDS crisis-era queer activism, and radical clowning.
The movement against the Iraq War was an exercise in failure. The February 15, 2003 global demonstration against the Iraq War was “the largest protest event in human history,” yet it did not prevent the war. A year and half later, the movement was again unsuccessful when the Democratic presidential candidate promising to the end the war lost the general election despite wavering public support for the ongoing conflict. Media attention gave rise to movement celebrities, such as Cindy Sheehan, who demanded that President Bush explain the ‘noble cause’ for which her son died in Iraq, but was unable to secure a meeting with the President. Even after the Democrats had enough political power to end the war, having gained control of Congress in 2006 and then the Presidency in 2008, they only completed full withdrawal in December 2011. In addition to these many defeats, this paper focuses on another: the failure of rhetoric – its inability to dispute official discourses of state violence, and the politics of bodies that fail to achieve rhetoricality. In the former, the paper identifies an impediment to the anti-war effort, and in the latter, the paper finds the constitutive lack of queer desire that overcomes political strategy’s rhetorical limits. (more…)
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Posted in papers, tagged abstraction, anarchism, archive, colonialism, D&G, deleuze, diagram, foucault, governmentality, hardt and negri, incorporeal transformation, marxism, philosophy, power, rethinking marxism, science, the state, the virtual, violence, what is philosophy? on September 23, 2013 |
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The State as a Virtual Object [[or how Max Stirner can get you hanged]]
Rethinking Marxism 2013
PS: after discussing it w/ Gregg Flaxman, I’ve decided to “deontologize” the whole paper to sharpen the ontology/virtuality divide.
Japanese director Nagisa Oshima’s 1968 film “Death by Hanging” begins with the execution of an ethnic Korean man, R. Miraculously, the hanging does not kill him; in fact, its only effect is that it erases his memory (08:23). Taken by surprise, officials debate the law and decide that execution is only just if a person realizes the guilt for which they are being punished (10:55). In an effort to make R admit guilt for a crime that he has no memory of committing, the officials simulate his crimes, which only leads to an absurd comedy of errors that exposes the racist, violent dimension of the nationalist law and history. R finally admits to the crimes but he maintains his innocence, which motivates him to debate the officials (49:30). “Is it wrong to kill?” R asks. “Yes,” they respond, “it is wrong to kill.” “Then, killing me is wrong, isn’t it?” R replies and then extends his argument “… A fine idea. First we kill the murderer… …then, being murderers, we’ll be killed, and so on and so on.” The official rejoinder is a predictable one: “Don’t say such things! We’re legal executioners! It’s the nation that does not permit you to live.” To which R responds: “I don’t accept that. What is a nation? Show me one! I don’t want to be killed by an abstraction” (52:52).
Less than a decade later, French historian Michel Foucault aired similar frustrations to R, though in the context of the genealogical study of power. Intellectually dissatisfied that “the representation of power has remained under the spell of monarchy,” he claims that long after the rise of the Republic, “we still have not cut off the head of the king” (Foucault, History of Sexuality, 88-89). (more…)
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