The Russian publication New Literary Review (Новое литературное обозрение) recently published issue 159, which grew out of a conference on science and technology hosted by the Moscow School of Social and Economic Sciences on the campus of the Russian Presidential Academy of National Economy and Public Administration in April, 2018. The event included a number of incredibly exciting presentations by scholars working on Meillassoux, Simondon, Machines, the Human-Animal, and labor.
The issue further expands on these themes, including important works such as a translation of Félix Guattari’s essential essay on machine and structure, complemented with new themes such as a section on Game Studies.
My own contribution is an essay on Anthropocene discourse titled “Anthropocene, Exhausted: Three Possible Endings” (Антропоцен исчерпан: три возможные концовки)
Continue reading “New Publication: Антропоцен исчерпан: три возможные концовки (Anthropocene, Exhausted: Three Possible Endings)”
“I am a forest, and a night of dark trees: but he who is not afraid of my darkness, will find banks full of roses under my cypresses.”
This event addresses a fundamental problem for contemporary theory: How can we think the darkness? On one side of this darkness is a regression and slippage back to gothic-romanticism, a state of mind, and thinking that FWJ Schelling alluded to when he said that: “History as a whole is a progressive, gradually self-disclosing revelation of the Absolute”. On the other side, is the scientific-realist perception of and about the darkness, as it overwhelms us, and encourages immersion in absolute [nothingness-strangeness-the alien]: i.e. it performs as the nature of the universe.
We begin from a consolidated position of darkness: >No hope, no future, no humanity, no way out, no limitations to thinking the darkness …
From this start-point spring 3 perspectives:
Dark Anthropocene = geology folding back into a singularity <
Afropessimism = contemporary methodology for destroying the world <
Non-standard animism = a politics of indivisible extra-terran non/humanity <
The three perspectives are material experiments in working with and in the darkness. The stakes of these experiments are multiple — they constitute finding something when one is blind. The risks are high, the rewards potentially immense. This is not theory by any other name than an encounter on a dark horizon …
This is the longer version of a blog post I initially wrote for the University of Minnesota Press. You can find the shorter version on their blog here.
French philosopher Gilles Deleuze is usually characterized as a thinker of positivity. Consider two of his major contributions: the rhizome as an image for the tangled connections of networks, and the molecular revolution as transform spurred by unexpected quantum drift. These concepts catapulted the popularity of his thought as the digital age seemed to reflect social forms matching each form, namely the world wide web of the internet and the anti-globalization ‘movement of movements’ that lacked central coordination. Commentators marshaled his work to make sense of these developments, ultimately leading many to preach the joy of finding new connections to the material world (New Materialism), evolving the human at the bio-technical level (Post-Humanism), and searching out intensive affective encounters (Affect Studies).
In my new book Dark Deleuze, it is not my contention that such “affirmations” are incorrect. Rather, my argument is that Deleuze was ambivalent about their development, and later in life, became more a critic than proponent. In updating Deleuze for the digital age, I did more than restore a critical stance – I worked out how his lost negativity could be set loose on this world by destroying it.
Here I expanding on the Dark Deleuzian notion of “Death of This World,” a term I introduce as an image of negativity, by rendering it here as “the alien.” Instead of using well-worn digital examples, I instead explore the greatest looming question for the humanities: the Anthropocene.
Continue reading “Aliens, Monsters, and Revolution in the Dark Deleuze”