Chapter three of Anti-Oedipus is perhaps the most under-valued section of the book. Not only does it provide a concrete typology for working through social formations, but it also demonstrates the working out Deleuze and Guattari’s promise of turning Freud (“the Adam Smith of psychology”) on his head. Just as Althusser noted that Hegel was turned on his by Marx, a move that restored the role of material constitution to the questions of German Idealist philosophy, D&G are interested in how anthropology identifies the ground from which the unconscious springs. The recently published English translation of Eduardo Viveiros de Castro’s Cannibal Metaphysics is a helpful reminder of the lost legacy of a Deleuzian anthropology. D&G’s work was largely taken up in the anglophone anthropologies going through the reflexive turn – their theories were used in the rather narrow methodological introspection of the Western self. Viveiro de Castro instead draws on the Lévi-Straussian tradition from which D&G themselves built their own anthropological argument in Anti-Oedipus.
Reproduced here is the list of anthropological texts in Viveiro de Castro’s Cannibal Metaphysics with publication dates from the years 2000-2008. They should serve as a helpful points of orientation for someone looking to see how Anti-Oedipus could be “updated” with more recent anthropology.
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Posted in papers, tagged accelerationism, aesthetics, affects, anthropology, barbarians, becoming, being, cinema, complexity, D&G, dark deleuze, deleuze, democracy, difference, empiricism, ethics, flows, Gilles Deleuze, immanence, inclusive disjunction, indiscernibility, intensity, molecular, nomadism, ontology, philosophy, politics, powers of the false, production, rhizome, speed, subjectivity, substance, technology, unfolding on April 9, 2014 |
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Title: Dark Deleuze: A Glossary
Author: Andrew Culp, PhD, The Ohio State University
Abstract: This paper explores the Dark Deleuze by dramatizing the difference between joyfully creating concepts and apocalyptically destroying worlds. Contextualizing this dispute in recent work, the paper draws a contrast between the use of Gilles Deleuze’s thought for a realist ontology of the object and a revolutionary materialism of destruction.
The contemporary turn to realist ontology commonly adopts Deleuze’s metaphysics of positivity (DeLanda 2002; Bryant 2011; Protevi 2013). The basis for the realist side of Deleuze is perhaps best evinced by his biography: those who knew Deleuze consistently note his firm commitment to joyful affirmation and his distaste for the ressentiment of negativity (Dosse 2010 ). Beatifying this sentiment, Deleuze has been used to establish a whole canon of joy. In the canon of joy, the cosmos is a complex collection of assemblages produced through the ongoing processes of differentiation (Stengers 2011, Braidotti 2005/2006; DeLanda 2006; DeLanda 2011). The effect of this image of thought is a sense of wonder but also the joy of creating concepts for knowing how the world really exists.
A different Deleuze, a darker one, has slowly cast its shadow. Emerging from scholars concerned with the condition of the present, the darkness refashions a revolutionary Deleuze; revolutionary negativity in a world characterized by compulsory happiness, decentralized control, and overexposure (Caserio et al 2005; Galloway 2006; Lovink 2014). The refashioned Deleuze forms a counter-canon out of the perfuse negativity of his concepts and affects.* On the level of concept, negativity impregnates the many prefixes of difference, becoming, movement, and transformation: de-, a-, in-, and non-. On the level of affect, Deleuze talks of indiscernibility and concealment, the shame of being human, and monstrous power of the scream. The ultimate task of this approach is not the creation of concepts, and to the extent that it does, the Dark Deleuze creates concepts only to write apocalyptic science fiction (Deleuze 1994 , xx-xxii).
It is time to move from the chapel of joy to the darkness of the crypt.
There are two parts to my Dark Deleuze counter-canon project: a philosophical justification of Dark Deleuze based on textual evidence and a consideration of recent secondary literature; a description of terms that outlines the elements of the counter-canon for use.
Neither of the two parts has been published yet. I leave it up to the editors of xxxx to determine which half of the project they would prefer.
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Posted in Ideas, tagged accelerationism, aesthetics, affects, anthropology, barbarians, becoming, being, cinema, complexity, D&G, dark deleuze, deleuze, democracy, difference, empiricism, ethics, flows, Gilles Deleuze, immanence, inclusive disjunction, indiscernibility, intensity, molecular, nomadism, ontology, philosophy, politics, powers of the false, production, rhizome, speed, subjectivity, substance, technology, unfolding on February 25, 2014 |
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Those who knew Gilles Deleuze consistently note his firm commitment to joyful affirmation and his distaste for the ressentiment of negativity. Beatifying this sentiment, Deleuzians have established a whole canon of joy. But what good is joy in this world of compulsive positivity?
It is time to move from the chapel to the crypt. There is sufficient textual evidence to establish this counter-canon. And from it, we can create a glossary of the “Dark Deleuze.”
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Posted in Reading Notes, tagged a thousand plateaus, anthropology, anti-oedipus, apparatus of capture, civil military relations, daniel w smith, deleuze, desire, despotic, freud, guattari, kinship, lacan, marx, nomad, nomad science, nomadology, oedipus, psychoanalysis, royal science, savage, science, state, the human, the unconscious, war, war machine on March 18, 2013 |
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I just uploaded these lectures, which I listened to a couple years ago. They are perhaps the best introduction to the politics of Deleuze and Guattari but is also rewarding for more advanced scholars. I’m sorry for the quality – I tried to clean them up, but they’re not perfect. awc
Also available here.
Daniel W Smith discussed Gilles Deleuze and Felix Guattari’s works Anti-Oedipus & A Thousand Plateaus at the Collegium Phaenomenologicum 2009. Smith, a professor of philosophy at Purdue University, is a leading expert of Deleuze and Guattari’s work. In these lectures, he lucidly outlines the theories and implications of the most political sections of Deleuze and Guattari’s work while giving special attention to the primary source materials and philosophical arguments that the authors utilized to make their argument.
Day 1: Anti-Oedipus & Desire
In this talk, Smith discusses Deleuze and Guattari’s ambitious reworking of psychoanalysis, especially with their notions of desire and the unconscious.
Day 2: Anti-Oedipus & The Human (missing part 2)
On this day of talks, Smith describes the anthropology chapter of Anti-Oedipus. In the first lecture, Smith covers the Savage and Despotic formations. Unfortunately, the second lecture, in which Smith described the Capitalism formation, was not recorded.
Day 3: A Thousand Plateaus & Nomadology
On this day, Smith presents Deleuze and Guattari’s nomadology from A Thousand Plateaus, with an eye to their description of society without a state. The second lecture is dedicated to question & answer.
The reading materials for the lectures was
– Deleuze & Guattari, Anti-Oedipus, “Savages, Barbarians, Civilized Men,” 139 – 271 Continuum Version, 141 – 164 Minnesota Version.
– Deleuze & Guattari, A Thousand Plateaus, “1227: Treatise on Nomadology–The War Machine,” & “7000 B.C.: Apparatus of Capture,” 387 – 522 Continuum Version, 351- 473 Minnesota Version.
The original recordings picked up substantial feedback that punctuated the lecture with high-pitched pinging noises that made it nearly unlistenable. I tried to eliminate as much of the feedback as possible, but ended up thinning out Smith’s voice.
I have uploaded the originals as well, but would not suggest trying to listen to them.
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Posted in dissertation, tagged anthropology, archaic state, ritual, scarification, sovereignty, state, tattooing, the state, war, war machine on April 24, 2012 |
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This post contained an draft version of a dissertation section. A more recent version is now available on the works page.
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