New Publications, Presentations, Articles, and Research

voided

Sorry for not using this venue lately for my ongoing research. Will probably return to using it in the new year. For now, here is completed, ongoing, and future work. (Also, most of my free time has been soaked up by the search for a permanent job.)

Publication Schedule:
1) Hostis: A Journal of Incivility. Printing has already started. Expect copies to be available within a couple weeks via our distributor.
2) Escape. Book proposal nearly finished. Solicit publishers within next three months. Manuscript for submission: 67,500 words.
3) Dark Deleuze. In preparation. Final manuscript to be 15,000-25,000 words.

Presentation Schedule:
1) Chicago, “Feminist Mappings of the City,” November 2014, (passed).
2) Vancouver, “Militancy, Antagonism, and Power: Rethinking Intellectual Labor, Relocating the University,” January 2015.
3) Walla Walla, “Direct Action Training,” February 2015.
4) Spokane, “‘Money is Just Paper but it Affects People Like Poetry’: Capitalism and Public Address,” February 2015
5) Pittsburgh, “Weather Station,” April 2015.
6) Riverside, “#GHE20G0TH1K: Afropessimism as Aesthetic Blackness,” June 2015.

Upcoming Article Topics:
1) Feminism and the Metropolis
2) Wages for Housework, Wages for Facebook: Antagonism at the Point of Circulation
3) The State, Concept not Object: Abstraction, Cinema, Empire
4) (In preparation) Insinuation as Communication
5) (In preparation) Irregular Media: Digital Resistance after Guerrilla Warfare
6) (In preparation) What Does Capitalism Sound Like?

Ongoing Research Areas:
1) The Non-Representational Turn: Anti-connectionism, Insufficiency, Opacity
2) The Inhumanities: Anonymity, Code, Subjectivity
3) Negative Feminism: Gender, Hatred, and Pop Culture

Strategies for the Subversion of the Metropolis (draft chapter)

subvert metr

This post contained an draft version of a dissertation section. A more recent version is now available on the works page.

Disemboweling the Metropolis (complete)

metropolis
This post contained an draft version of a dissertation section. A more recent version is now available on the works page.

Vein 4: A System of Compulsory Visibility

visibilities

This post contained an draft version of a dissertation section. A more recent version is now available on the works page.

Insinuation

Neither the politics of persuasion nor a presentation of facts. (The forms of rhetoric used by republikans and demokrats, respectively.) Rather, we propose insinuation as our form of political communication. Insinuation does not build the party, it spreads like a virus that mutates as it interacts with every new host. It brings about revolutions, yet not a revolution patterned after the swift seizure of the state, but a path that follows the strange drift of aesthetic revolutions — sometimes sudden, and at other times, a slow drift.

By persuasion we mean the art of bringing someone to your side. In our world, the lines in the sand disappeared long ago. There are friends, enemies, allies, and foes inside every one of us. Some paranoiacs try to draw lines for the rest of us to follow, but the result is always the same: infighting descends and people start striking too close to home. Persuaders are Southern Gentlemen still fighting for the Glory of the South, or soldiers forgotten in the Pacific.

Alternately, with the presentation of facts we mean the naive believe that the truth sets you free. We curse the worn motto ‘speak truth to power.’ For, the question is not why truth works but why illusion is so effective. Cynically, we think that truth-speakers desire being right over being effective. Some of us may have been know-it-alls as kids, but now we are more pleased with winning than living in a world of sour grapes.

Next installment: Nuts and bolts of insinuation.
Additional resources? Down the Rabbit-Hole, Alice!

Theater // Lost to Inflation

Müller: In our country [of East Germany circa 81], theater allows you to have five or eight hundred people together in one room reacting at the same time, in a the same space, to what is going on onstage. The impact of the theater here is based on the absence of other ways of getting messages across to people. Films are not as important because there’s so much control. They also require much more money than the theater. As a result, theater here has taken over the function of the other media in the West. I don’t believe theater has such a great in West German for instance. You can do anything onstage there, but it doesn’t mean anything to the society. Here the slogan of the Napoleonist era still applies: theater is the revolution on the march.

Continue reading “Theater // Lost to Inflation”