Stacks on Stacks on Stacks

the-stack

What if governments, institutions, and NGOs treated us as users? Borrowing conservative jurist Carl Schmitt’s notion “nomos,” which describes the interactive forces of political geography, jurisdiction, and sovereignty as a whole, theorist Benjamin Bratton argues that planetary-scale computing is reconfiguring subjectivity. Schmitt’s conservative project was a lament for the nomos of the Jus Publicum Europaeum, a legal order that helped European nations consolidate into states and facilitate the golden age of colonialism. Bratton agrees that there is a new nomos on the way, but it is a nomos of the stack. Continue reading “Stacks on Stacks on Stacks”

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The Modern State (edited)

This post contained an draft version of a dissertation section. A more recent version is now available on the works page.

The Jurist-Priest, and the Priestly State (of Contract)


This post contained an draft version of a dissertation section. A more recent version is now available on the works page.

Lines in the Sand

Replacing power/knowledge, I suggest the tripartite lines of rigid-supple-escape developed by Deleuze and Guattari in A Thousand Plateaus.  In their anti-essentialist ontology, Deleuze and Guattari posit that heterogeneous collections of elements come together in particular relations to form assemblages, contingent formations that produce certain effects.  Capitalism, for instance, is an assemblage.  One way to describe how assemblages are organized is by the lines that compose them.  For Deleuze and Guattari, there are three types of organizing lines: supple lines, rigid lines, and lines of flight.  Continue reading “Lines in the Sand”

Luc Wander – Occupy the Futurepast

To the Communes: Tunisia to New York City; Egypt to Oakland,

I know, it’s a bit absurd, but *pop music has prefigured the rise of Occupy Wallstreet*, according to a dialogue entitled “Don’t Stop Beliebing”.1 Raided their songlist, cooked up a mix. Take it for a spin.

<3, Luc

Continue reading “Luc Wander – Occupy the Futurepast”