Lazzarato, Signs and Machines Outline, Intro-Chp 2

money is just paperHere is an outline of Maurizio Lazzarato’s Signs and Machines that includes his Intro, Chapter 1, and Chapter 2. It is here that he develops his essential distinction between signifying/asignifying linguistics and their subsequent subjectivites of social subjection/machinic enslavement. A better formatted version is available in the downloads section of this blog. Enjoy!




23 – 1. Social subjection and machinic enslavement

29 – 2. Human/machine vs humans/machinies

32 – 3. Egyptian megamachine

34 – 4. The functions of subjection

39 – Capital as a semiotic operator

43 – 1. The concept of “production”

49 – 2. Desire and production

52 – 3. The failure of “human capital”


57 – 1. The remains of structuralism: language without structure

66 – 2. Signifying semiologies

68 – i. The Political Function of Semiologies of Signification

72 – ii. Reference, Signification, Representation

80 – 3. Asignifying semiotics Continue reading “Lazzarato, Signs and Machines Outline, Intro-Chp 2”


Hearing the “Languages of Infrastructures”: Capitalism as Public Address


What does capital sound like? Do we hear it in the grinding gears of industry? The rustling papers of bureaucracy? The idle chatter of company spokesmen? The business maxims of a boss?

Though deceptively simple, the question is not an innocent one. How people listen for capitalism has major implications for public address, rhetorical theory, and Deleuze studies. As far as scholars of public address still rely on Aristotle’s two-fold definition of humans (“man is the only animal to possess language,” and “man is a political animal”), politics is central to the field. The rapport between capitalism and orality is far less certain. This ambiguity raises an important theoretical question: is rhetoric even important for the study of capitalism? And if rhetorical theory does have a role in critiquing capital, what is role of Marxist linguistics?

Today, I explore French Marxists Gilles Deleuze and Félix Guattari’s suggestion that capitalism speaks in a voice even more nefarious than the ideological speech of politicians. According to them, capitalism acts through the inhuman code of asignifying semiotics.

I set the context through the global financial crisis of 2007-2008. I show how capitalism operates through “semiotic operators,” such as “stock market indices, currency, mathematical equations, diagrams, computer languages, national and corporate accounting” (Lazzarato, Signs and Machines, 39). I draw two implications from this finding: first, that there is a regime of signs distinct to capital, and second, that they draw on categories of rhetoric beyond those established in rhetorical theory. Continue reading “Hearing the “Languages of Infrastructures”: Capitalism as Public Address”

Bibliography from Cannibal Metaphysics

bill_gold_alienChapter three of Anti-Oedipus is perhaps the most under-valued section of the book. Not only does it provide a concrete typology for working through social formations, but it also demonstrates the working out Deleuze and Guattari’s promise of turning Freud (“the Adam Smith of psychology”) on his head. Just as Althusser noted that Hegel was turned on his by Marx, a move that restored the role of material constitution to the questions of German Idealist philosophy, D&G are interested in how anthropology identifies the ground from which the unconscious springs. The recently published English translation of Eduardo Viveiros de Castro’s Cannibal Metaphysics is a helpful reminder of the lost legacy of a Deleuzian anthropology. D&G’s work was largely taken up in the anglophone anthropologies going through the reflexive turn – their theories were used in the rather narrow methodological introspection of the Western self. Viveiro de Castro instead draws on the Lévi-Straussian tradition from which D&G themselves built their own anthropological argument in Anti-Oedipus.

Reproduced here is the list of anthropological texts in Viveiro de Castro’s Cannibal Metaphysics with publication dates from the years 2000-2008. They should serve as a helpful points of orientation for someone looking to see how Anti-Oedipus could be “updated” with more recent anthropology.

Continue reading “Bibliography from Cannibal Metaphysics”

Militancy, Antagonism, and Power: Rethinking Intellectual Labor, Relocating the University

Here is the expanded version of a co-written talk presented at the 2015 MLA Subconference. Thanks to the organizers, my wonderful co-panelists, and the incredibly vibrant follow-up conversation.

“What was once the factory is now the university.” This is the premise the opens the Edu-factory Collective’s Towards a Global Autonomous University–it is also the premise upon which the collective was formed. Co-founded by Gigi Roggero, the collective’s work functions as a road-block to the demands of academic labor. It critiques the foundations upon which academic labor is organized and opposes the hierarchy that commands academic publication. The collective’s conceptual work, forefronted by Roggero’s thought in particular, explains the importance of these interventions.

The number of ways in which in the university is now the factory are perhaps too many to list: increased demand for productivity, an increase in working hours without an increase in pay, the rapid proliferation of contingent positions, and the production of a highly skilled but also an under/unemployed population of workers are perhaps the most recognizable in this list. These and more are addressed in Towards a Global Autonomous University, but they are also enduring sites of struggle. Especially in the US, academics have yet to recognize and mobilize against these issues en masse. Continue reading “Militancy, Antagonism, and Power: Rethinking Intellectual Labor, Relocating the University”

Feminist Mappings of the City

What is a feminist “image of the city”?

The city is often experienced negatively by women. Easily measured causes for negativity include criminal violence, physical and sexual assault, and street harassment. Less easy to measure are the effects of these and other negative experiences, which are often registered rather subjectively.

This paper proposes a new mapping of gendered experiences of the city based on Kevin Lynch’s environmental images. My proposal is informed by feminist art projects that measure and represent women’s negative experiences in the city. My goal is to develop a new environmental image that reflects these experiences. Continue reading “Feminist Mappings of the City”

Stacks on Stacks on Stacks


What if governments, institutions, and NGOs treated us as users? Borrowing conservative jurist Carl Schmitt’s notion “nomos,” which describes the interactive forces of political geography, jurisdiction, and sovereignty as a whole, theorist Benjamin Bratton argues that planetary-scale computing is reconfiguring subjectivity. Schmitt’s conservative project was a lament for the nomos of the Jus Publicum Europaeum, a legal order that helped European nations consolidate into states and facilitate the golden age of colonialism. Bratton agrees that there is a new nomos on the way, but it is a nomos of the stack. Continue reading “Stacks on Stacks on Stacks”

The Metropolis as a Media Object and The Polarized Politics of Asymmetry

nevelsonThe reconfigured terrain of network culture frustrates many traditional modes of social engagement. Political power has both spread and concentrated – spreading as global corporations, international bodies, and private interests bypass the forces of traditional political institutions, and concentrating as information systems employed in government and industry enable the surveillance, registration, and control of populations.[i]

The common form of dissent in digital culture is rather the tactical use of media to signify “the intervention and disruption of a dominant semiotic regime, the temporary creation of a situation in which signs, messages, and narratives are set into play and critical thinking becomes possible.”[ii] Tactical media’s emphasis on symbolic disruption leads to a focus on artistic practices, from persuasive video games made to criticize immigration policy to chat-based interventions in the US Military’s controversial recruiting game America’s Army.[iii] The prevalence of cultural and artistic critique as the preferred style of political engagement should be expected, as it echoes a wider transformation in contemporary power whereby “the dissolution of an autonomous sphere of culture is rather to be imagined in terms of an explosion: a prodigious expansion of culture throughout the social realm, to the point at which everything in our social life – from economic value and state power to practices and to the very structure of the psyche itself – can be said to have become ‘cultural.’”[iv] The literary import of tactical media threatens to obscure potentials singular to media, however, as it focuses on the expression of and not the struggle within the “computational layer” or information itself – a slippage that threatens to ruin tactical media by “confusing tactics and strategy.”[v]

There is a way to cut through this confusion: if the urban space of the Metropolis is theorized as a media object, whereby “the ‘content’ of any medium is always another medium,” then culture and materiality intersect, which allows analysis to go from signs to signals and from semiotics to physics and back again.[vi] This principle is elegantly demonstrated by Austrian design studio mischer-traxler’s project “The Idea of a Tree,” an autonomous solar-powered production project that transduces the intensity of inconstant natural inputs to mechanically produce one object a day from sunrise to sunset. The product of process is a bench-like object that incorporates the sun conditions of the day by varying thread and glue color and thickness as it is wrapped around a mold to make a three-dimension representation of the day and place of production.[vii] The simultaneous transduction and transcoding of environmental energy into a material object exemplifies that multidimensional objects can be both technically diagrammed and studied according to their cultural expression. Generalizing from “The Idea of a Tree,” then every media object similarly contains both a diagram and an expression that make up its emergent environment.[viii] Media and literary studies have outlined theories for such a multi-dimensional analysis, demonstrating the different operations of speech, writing, and code.[ix] The Metropolis should then be described in similar terms to network culture not only by information, but the vectors of change that result from an abundance of information and an acceleration of informational character.[x] In particular, the Metropolis can be said to utilize information in three distinct ways: as “the relation of signal to noise,” “a measure of the uncertainty or entropy of a system,” and “a nonlinear and nondeterministic relationship between the microscopic and the macroscopic levels of a physical system” – all of which find corollaries in culture.[xi] Bringing together digital telecommunication flows and physical corporeal flows, urban geographers have conceptualized the contemporary process of urbanization through Internet eXchange points and MIDT airline traffic data[xii] It is through a similar combination of digital culture and informatization more generally that strategies common to struggles in the culture, technology, and environment of the Metropolis can be identified, analyzed, and enhanced.

Abstractly, the Metropolis connects through inclusive disjunction, a process that puts otherwise foreign elements into communication with one another and does not require its pieces to operate through a shared logic but unfolds their interiors through exposure.[xiii] Continue reading “The Metropolis as a Media Object and The Polarized Politics of Asymmetry”