Rhizome Chart

Root/tree Radicle Rhizome
taproot or dichotomous roots proliferation of secondary roots subterranean stems, bulb or tuber, burrow
Hierarchy cutting of the taproot causes the destruction of all other parts unity of the root maintained in supplementary dimension autonomous. Loosely interconnected parts
Operation imitation of the world Is it working? How is it working (for me)? Is something coming through?
Unity Linear: everything turns around a single axis Cyclical: unity within the supplementary dimension (e.g. dimension of knowledge or of sentence) Unitary idea is missing
Multiplicity missing: it has been eliminated by dualism rules of combination reduce the growth of multiplicity multiplicity is achieved by subtracting the one from the existent: n-1

I found this diagram in 2005 in a web article about architecture. What struck me about the chart was that through a close reading of the rhizome plateau, its creator identified the third structure of books suggested by Deleuze and Guattari. And in introducing the third term, which is often left out, the chart serves as a powerful argument for my theory of “contrasts” and against the all-too-easy slide into the golden mean performed by thinkers like DeLanda.

I have added a PDF of it to the downloads sections for easy reference.


Dark Deleuze Project Abstract

alienTitle: Dark Deleuze: A Glossary

Author: Andrew Culp, PhD, The Ohio State University

Abstract: This paper explores the Dark Deleuze by dramatizing the difference between joyfully creating concepts and apocalyptically destroying worlds. Contextualizing this dispute in recent work, the paper draws a contrast between the use of Gilles Deleuze’s thought for a realist ontology of the object and a revolutionary materialism of destruction.

The contemporary turn to realist ontology commonly adopts Deleuze’s metaphysics of positivity (DeLanda 2002; Bryant 2011; Protevi 2013). The basis for the realist side of Deleuze is perhaps best evinced by his biography: those who knew Deleuze consistently note his firm commitment to joyful affirmation and his distaste for the ressentiment of negativity (Dosse 2010 [2007]). Beatifying this sentiment, Deleuze has been used to establish a whole canon of joy. In the canon of joy, the cosmos is a complex collection of assemblages produced through the ongoing processes of differentiation (Stengers 2011, Braidotti 2005/2006; DeLanda 2006; DeLanda 2011). The effect of this image of thought is a sense of wonder but also the joy of creating concepts for knowing how the world really exists.

A different Deleuze, a darker one, has slowly cast its shadow. Emerging from scholars concerned with the condition of the present, the darkness refashions a revolutionary Deleuze; revolutionary negativity in a world characterized by compulsory happiness, decentralized control, and overexposure (Caserio et al 2005; Galloway 2006; Lovink 2014). The refashioned Deleuze forms a counter-canon out of the perfuse negativity of his concepts and affects.* On the level of concept, negativity impregnates the many prefixes of difference, becoming, movement, and transformation: de-, a-, in-, and non-. On the level of affect, Deleuze talks of indiscernibility and concealment, the shame of being human, and monstrous power of the scream. The ultimate task of this approach is not the creation of concepts, and to the extent that it does, the Dark Deleuze creates concepts only to write apocalyptic science fiction (Deleuze 1994 [1968], xx-xxii).

It is time to move from the chapel of joy to the darkness of the crypt.

There are two parts to my Dark Deleuze counter-canon project: a philosophical justification of Dark Deleuze based on textual evidence and a consideration of recent secondary literature; a description of terms that outlines the elements of the counter-canon for use.

Neither of the two parts has been published yet. I leave it up to the editors of xxxx to determine which half of the project they would prefer.

Continue reading “Dark Deleuze Project Abstract”

“Dark Deleuze”: A Glossary


Those who knew Gilles Deleuze consistently note his firm commitment to joyful affirmation and his distaste for the ressentiment of negativity. Beatifying this sentiment, Deleuzians have established a whole canon of joy. But what good is joy in this world of compulsive positivity?

It is time to move from the chapel to the crypt. There is sufficient textual evidence to establish this counter-canon. And from it, we can create a glossary of the “Dark Deleuze.”

Joyous: Dark:
Our Task Create Conceptions Destroy Worlds
Substance Techno-Science Political Anthropology
Existence Genesis Transformation
Ontology Realism Materialism
Subjects Assemblages Un-becoming
Speed Acceleration Withdrawal Continue reading ““Dark Deleuze”: A Glossary”