Lazzarato, Signs and Machines Outline, Intro-Chp 2

money is just paperHere is an outline of Maurizio Lazzarato’s Signs and Machines that includes his Intro, Chapter 1, and Chapter 2. It is here that he develops his essential distinction between signifying/asignifying linguistics and their subsequent subjectivites of social subjection/machinic enslavement. A better formatted version is available in the downloads section of this blog. Enjoy!

MAURIZIO LAZZARATO: SIGNS, MACHINES, SUBJECTIVITIES

7 INTRODUCTION

23 – CHP 1 PRODUCTION AND THE PRODUCTION OF SUBJECTIVITY

23 – 1. Social subjection and machinic enslavement

29 – 2. Human/machine vs humans/machinies

32 – 3. Egyptian megamachine

34 – 4. The functions of subjection

39 – Capital as a semiotic operator

43 – 1. The concept of “production”

49 – 2. Desire and production

52 – 3. The failure of “human capital”

55 – CHP 2 SIGNIFYING SEMIOLOGIES AND ASIGNIFYING SEMIOTICS IN PRODUCTION AND IN THE PRODUCTION OF SUBJECTIVITY

57 – 1. The remains of structuralism: language without structure

66 – 2. Signifying semiologies

68 – i. The Political Function of Semiologies of Signification

72 – ii. Reference, Signification, Representation

80 – 3. Asignifying semiotics Continue reading “Lazzarato, Signs and Machines Outline, Intro-Chp 2”

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Hearing the “Languages of Infrastructures”: Capitalism as Public Address

demolition

What does capital sound like? Do we hear it in the grinding gears of industry? The rustling papers of bureaucracy? The idle chatter of company spokesmen? The business maxims of a boss?

Though deceptively simple, the question is not an innocent one. How people listen for capitalism has major implications for public address, rhetorical theory, and Deleuze studies. As far as scholars of public address still rely on Aristotle’s two-fold definition of humans (“man is the only animal to possess language,” and “man is a political animal”), politics is central to the field. The rapport between capitalism and orality is far less certain. This ambiguity raises an important theoretical question: is rhetoric even important for the study of capitalism? And if rhetorical theory does have a role in critiquing capital, what is role of Marxist linguistics?

Today, I explore French Marxists Gilles Deleuze and Félix Guattari’s suggestion that capitalism speaks in a voice even more nefarious than the ideological speech of politicians. According to them, capitalism acts through the inhuman code of asignifying semiotics.

I set the context through the global financial crisis of 2007-2008. I show how capitalism operates through “semiotic operators,” such as “stock market indices, currency, mathematical equations, diagrams, computer languages, national and corporate accounting” (Lazzarato, Signs and Machines, 39). I draw two implications from this finding: first, that there is a regime of signs distinct to capital, and second, that they draw on categories of rhetoric beyond those established in rhetorical theory. Continue reading “Hearing the “Languages of Infrastructures”: Capitalism as Public Address”

Maurizio Lazzarato, Signs and Machines, “Introduction”

distorted

To say that desire is part of the infrastructure comes down to saying that subjectivity produces reality. Subjectivity is not an ideological superstructure.

At the time of Leninism, the government had to be overturned – the trade unions were economists, traitors – power had to go to the Soviets: in short, there was an idea, there was something. But here, really, there is no idea. There’s nothing at all. There’s the idea of macroeconomics, of a certain number of factors: unemployment, the market, money, all abstractions that have nothing at all to do with social reality.

-Félix Guattari, “Crise de production de subjectivité,”

Seminar of April 3, 1984

In a seminar in 1984, Félix Guattari argued that the crisis affecting the West since the early 1970s as, more than an economic or political crisis, a crisis of subjectivity. How are we to understand Guattari’s claim?

Germany and Japan came out of the Second World War completely destroyed, under long-term occupation, both socially and (8) psychologically decimated, with “no material assets-no raw materials, no reserve capital.” What explains the economic miracle? “They rebuilt a prodigious ‘capital of subjectivity’ (capital in the form of knowledge, collective intelligence, the will to survive, etc.). Indeed,they invented a new type of subjectivity out of the devastation itself. The Japanese, in particular, recovered aspects of their archaic subjectivity, converting them into the most ‘advanced’ forms of social and material production. [. . .] The latter represents a kind of industrial complex for the production of subjectivity, one enabling a multiplicity of creative processes to emerge, certain of which are, however, highly alienating.”2

Capitalism “launches (subjective) models the way the automobile industry launches a new line of cars.”3 Indeed, the central project of capitalist politics consists in the articulation of economic, technological, and social flows with the production of subjectivity in such a way that political economy is identical with “subjective economy.” Guattari’s working hypothesis must be revived and applied to current circumstances; and we must start by acknowledging that neoliberalism has failed to articulate the relation between these two economies.

Guattari further observes capitalism’s capacity to foresee and resolve systemic crises through apparatuses and safeguards that it came to master following the Great Depression. Today, the weakness of capitalism lies in the production of subjectivity. As a consequence, systemic crisis and the crisis in the production of subjectivity are strictly interlinked. It is impossible to separate economic, political, and social processes from the processes of subjectivation occurring within them. Continue reading “Maurizio Lazzarato, Signs and Machines, “Introduction””

Vein 4: A System of Compulsory Visibility

visibilities

This post contained an draft version of a dissertation section. A more recent version is now available on the works page.