Posted in Ideas, tagged bergson, cultural studies, D&G, deleuze, empire, flows, guattari, lacan, lazzarato, massumi, molecular, psychoanalysis, quanta, schizoanalysis, subject positions, tarde, The Metropolis, Tiqqun on February 15, 2013 |
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Yesterday, Matt asked a wonderful question about my theory of subjection in Empire and its relevance to Massumi’s use of “the grid” in the introduction to Parables For the Virtual.
Let me first preface this by saying that I believe Empire has already overcome the problem of the grid. It’s now just a problem for cultural studies and other disciplines that linger on old models of social analysis. In contrast to Empire, subjection in The Social State is absolutely indicative of a grid-type model of power, as are parts of the Modern State. ***Therefore: struggles against hierarchy and binary exclusion may benefit Empire rather than confront it.***
At the beginning Parables, Massumi claims that most cultural studies uses a social model premised on structural positions (“feminine,” “black,” etc). This is an application of an argument he inherits from Anti-Oedipus, where Deleuze and Guattari develop an elaborate critique of certain Fruedo-Lacanian psychoanalytic models that use a grid. They spare Lacan himself (Guattari was once the heir-apparent to Lacan’s ecole freudienne and remained under analysis even after the publication of AO), but are not so kind to his more dogmatic followers, such as Serge Leclaire.
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Posted in Ideas, tagged bernadette corporationg, biopower, communism, D&G, deleuze, disciplinary power, dispositif, enclsoure, foucault, get rid of yourself, lazzarato, minoritarian, multiplicity, neo-liberalism, tarde, utopia, virtual on January 12, 2012 |
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Lazzarato is able to distinguish his approach from traditional historical materialism with a few key reversals. The first is an elaboration on an argument he shares with Read: production is ‘greater’ than reproduction, which is just a translation of D&G’s claim that the virtual is richer than the actual. But rather than remaining within the capitalist mode of production, which treats it as a de facto totality, Lazzarato uses Tarde to make a move that detaches his analysis from capitalist production almost completely:
invention, as the creation of the possible and its process of actualisation in the souls (of consumers as well as workers), is the real production, whilst what Marx and the economists call production is, in reality, a reproduction (or a manufacture of a product or a management of a service even if in this case the things are a bit more complicated). (CLCL: 192)
In place of the totality of the mode of production, Lazzarato posit an original dynamic multiplicity. It is from that multiplicity that everything is constructed. Lazzarato then fully integrates a Foucaultian analysis within this metaphysics of the multiple.
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